Saturday morning was family time. Every Saturday, Madison hosts one of the largest Farmers’ Markets in the world. The market is set up around the state capitol building. The capitol building is an architectural masterpiece and a must-see in Madison. Should Mad with Power Fest ever be held there, the domed roof would surely gather all the power of the bands and shoot a blast that knocks the moon right out of the sky.
A large group of metalheads also congregated around the Capitol at a time different from mine. Ty Christian led a group of fans to gorge themselves with cheese curds. Full of Wisconsin goodness and cholesterol, they toured the Capitol building and Farmers’ Market. Perhaps they found a stand selling potions and spells, but I did not. Fresh arepas and empanadas are an excellent substitute, though. As early afternoon arrived, I again left my family (with some guilt leaving my wife to handle a 2- and 4-year-old, but also with MUCH LOVE for her) to excitedly return to glory.
The meet-and-greet started a little more quickly as security had ironed out any issues from the day before. A friend who couldn’t make it to the festival sent me an Unleash the Archers ear book to get signed by the band. UTA happily signed things and took pictures with the line of fans wanting to meet them. On a whim, I asked them to sign the book and box it was shipped in. I generally don’t care about autographs, but the idea of having a magical cardboard box of metal incantations pleased me, so I got various signatures.
I also got a pic with the band and asked them to pose by pretending they were killing me with their weapon of choice. Singer Brittany Slayes was the only band member who appeared to actually know how to shoot a bow and arrow. Other members either had horrible form or were killing me with some kind of hybrid shovel bow and arrow. Drummer Scott Buchanan chose to shank me in the side with a hidden dagger, but that is at least an accurate archer close combat move.
Heather Michelle and Chelsea from Of Romulus humored me with posed photos so my friend could photoshop himself next to them. I wanted to get Jason Ashcraft in a photo as well, but after our initial conversations, he disappeared from my sight despite being roughly 7 feet tall and wearing a Hawaiian-style Godzilla shirt. Another wonderful aspect of MWP was seeing how genuinely happy the bands were to meet fans. Clearly, many of them had cultivated their own communities and were quite familiar with many of their fans.
Day 1 took the crowd on a journey across the unique worlds of The Power and The Glory. Day 2 brought the Army of the Got Danged to the planet Madisonia, where we entered the city of Sy’lvee to purchase trinkets and treasures from the Space Headbangers Market. Our journey the day before was successful. Now, we could spend all the doubloons we earned plundering and pillaging with Seven Spires.
Of Romulus was the Saturday opener. They are one of Jason Ashcraft’s 57 projects (Helion Prime, Planeswalker, Dire Peril, The Stormlight Shredchive (maybe someday)). It features some of his other band chums Chelsea McMasters (Dire Peril, Bassylon 5 (maybe someday)) on bass and Heather Michelle Smith (Helion Prime, Graveshadow, Deep Sing 9 (maybe someday)) on vocals.
Of Romulus tells the tale of a small group of Romulans that ended up stranded on Earth after a failed attempt to steal Federation secrets. Also, they went through a time portal and arrived here in the ‘80s (because Power Metal). Now they’ve decided to break the Prime Directive and tell the Terrans everything in hopes that some faction of Time Police will come to stop them and take them off this D’era-forsaken planet.
This was Of Romulus’ debut show. The band had an energetic and straightforward sound. Sometimes, it was too energetic, as Ashcraft befell the first major injury of the festival by losing a pointy ear. They were helped on a song by Captain James TY-berius Kirk (Ty from Lords of the Trident again in costume change 3 of 659). It was challenging to sing along since most of the set consisted of songs that hadn’t been released yet, but Romulans probably prefer it that way. The set was great, and this Trekkie is excitedly awaiting their album release. Why Romulans? “Because it was the easiest makeup,” Heather Michelle told me. That’s dangerously logical. I returned to my nest on the balcony to conserve energy (and my back). We purchased some Romulan flags and pointy ears. It was time for the next booth.
Graveshadow took the stage next to sell you their mysteries from BEYOND THE…grave. Guitarist William Lloyd Walker’s dark fantasy quintet came to the market from the faraway planet of Saq-rah’mentoe. Vocalist Rachl Raxx Quinn instantly took command of the stage with her distinctive trill. Her powerful singing looked effortless as she traversed the stage, telling their tales.
In another moment of love and friendship, Graveshadow invited former singer and current Of Romulus singer Heather Michelle on stage sans ears to sing their set-ending song with Raxx. Why are all these people getting along so well? It’s almost… as if… being nice is a good thing? Perhaps we should barter with dragons instead of fighting them. I delightfully filled my purse with these secrets from the grave. Graveshadow was also incredibly gracious and kind while hanging out at their merch booth.
Do you know what we need to buy next? Some good old-fashioned fun! High Spirits slickly slid onto the stage in nearly matching white jeans and black T-shirts. This Shee-Q-ah’go-based quintet looks and feels like an older Steel Panther with more of an innocent and genuine joy displayed by their craft. They were here to have a good time, by golly, and be in bed by 9.
The band clearly has tons of experience, as their good timin’ kicks and jumps were totally in sync. Frontman Chris Black seemed like the coolest dad at the festival and was ready to have a catch with anyone who wanted. I made a memory of his face in case I needed snacks later. Jokes about people probably the same age as me aside, I gladly accepted all the coupons the High Spirits booth had to offer. I would describe their sound simply by the name of the song “Hot City Nights.” They actually don’t have a song named “Hot City Nights,” but I can’t think of a better way to describe them than by saying they have a song called “Hot City Nights.” This Miami-Vice-with-Chicago-Practicality blend of music was satisfying as the band ended their set with a song thanking us for being their friends.
Another food break was upon us. I got some pizza and a pretzel. I could choose cheese or mustard for the pretzel, but I wasn’t about to fall for that trick. I prevented expulsion from Wisconsin and chose cheese. I then relaxed for the rest of the break in THE ROOM OF NERDONIA, as I just decided to call it. It featured tables and tables of different gaming system setups. I played Time Crisis 3 on a Sega CD that was hooked up to a TV. Some of the attendees were shocked by how wide and square the TV was. I guess time travel IS possible. Checkmate: Of Romulus.
Just in case anyone didn’t get enough to eat during the break, the next set was prepared to stuff your soul. If you know Seven Kingdoms, you know what they brought to the market: cheeseburgers. Seven Kingdoms hails from DeLand of Phlooreedah. Wait, the city is literally called DeLand! That might even be too cheesy for a Power Metal crowd. Seven Kingdoms got their name from some guy you’ve probably never heard of named George R.R. Martin. I guess he’s a writer or something.
Singer Sabrina Valentine strolled onto the stage in a sparkly dress while donning burger slippers. Guitarists Camden Cruz and Kevin Byrd look prepared to deadlift the entire crowd if the crowd wasn’t excited enough. While I fully believe they could do it, their energetic set left that feat unneeded. There was no choice but to get up and have fun. From start to finish, drummer Keith Byrd (I think he’s Cruz’s brother) hammered out the tempo, and Sabrina delivered her strong vocals nice and fast.
Seven Kingdoms was chock full of s-words, crowns, and bvrgers. How could you not love them? Any last remnants of a Benadryl fog (allergies, yo) on my body were blasted straight out of me. After the band finished playing, they started the between-band music with “What is Love” by Haddaway. Sabrina led a dance party that featured 96% of the crowd singing along. I believe they did this just in case anyone forgot it was a Power Metal festival. This moment was also special for me because the SNL Roxbury skit that everyone between the ages of 30-50 thinks of when that song plays was the inspiration for the name of the team I captained to win a Star Realms Dodgeball League (A Catch at the Roxbury). I promise that sentence makes sense.
It was time. Not THAT time, but another important time. The gracious and wonderful hosts of this magnificent event, Lords of the Trident, were set to play. The hometown band had to huddle around the edges of the stage around the vast cache of weapons Ty Christian, I mean Fang VonWrathenstein, brought with him. The Lords have traveled across many galaxies and fought many battles. This has caused different faces and maces to represent them, but the current lineup of Fang, OG guitarist Akira Metal, another shredder Baron Taurean Helleshaar, bassist Pontifex Mortis, and drummer Master Hercule “Herc” Schlagzeuger (whose last name I am only looking up how to spell once, damn you) is as strong as can be.
If you couldn’t tell already, LotT is a very serious band that sings songs about politics. Ty is an incredibly talented singer, and his powerful voice never wavers regardless of what axe, sword, or light-up mini-guitar he’s wielding toward some enemy on stage. Akira and the Baron take turns shredding the space-time continuum, and there’s hardly a moment to catch your breath. Oxygen isn’t needed, only joy. Ty explained to the crowd that Final Fantasy VI is his favorite game of all time, so he had to design the Mad with Power Fest VI logo after it. Then, the Lords played a new song inspired by a video game. Yep, you guessed it, Elevator Action. *rechecks notes* I mean, Final Fantasy VI.
Fun and joy aside, Lords of the Trident are a great talent, and it is very clear that they are one of the hardest-working bands in all metal. Every aspect of the group is honed and defined. Even their merch booth has a beautifully detailed stand built around a TV advertising everything they do. Despite running this whole damn thing and changing costumes to sing with half the bands, Ty had plenty of energy to lead their set to power and triumph. In what is genuinely the coolest thing I have ever seen live and another testament to this band’s incredible heart, Ty invited the entire backstage crew on stage with the band to sing and dance to the last song. I don’t believe Ty would ever ask anyone to work as hard as him, but you can see why people would do anything for him. Their music is awesome, but I just love talking about THEM. Their booth this day offered only love and joy, and they gave them away for free (but please do join their Patreon because they deserve it).
Now, it was THAT time.
Well, wait, first, there was a video announcing 11 of the 12 bands already booked for Mad with Power Fest VII (which will be Mortal Kombat-themed). Ty returned to the stage to introduce the video and explain that this festival is dedicated to featuring lower to mid-level card bands. He wants to help grow the Power Metal scene (especially in America). Ty is seriously the coolest guy on Earth. I won’t list all the bands announced right now (not because I don’t remember all of them and hadn’t heard of a good chunk of them, because I totally do and have), but I will say everyone and myself were quite excited for the Fellowship announcement. You can always click here, too.
NOW IT REALLY WAS THAT TIME FOR THE FINAL HEADLINER.
My old body was tired, but I had saved enough energy to fully immerse myself in Unleash the Archers. UTA is one of the 9 bands in my Top 5 favorite bands, so I was especially pumped to see them again. The final stand was set up to deliver a massive chunk of wondrous Power Metal full of shredding and banshee wails. It’s like buying a Mario 3 Feather and getting a free Konami Code to boot.
This was the group’s first show in 18 months, as Brittney Slayes and drummer Scott Buchanan needed some time off to birth the perfect little Slayby that will one day rule us all. I do believe Slayes did most of the work for the birthing part. This Veeq Tohreah, British (they even colonized space) Khol’ahm B-ah (Victoria, British Columbia. I may have gone overboard with that alien spelling) quintet has exploded in recent years with back-to-back masterpiece albums Apex and Abyss.
UTA’s set, unfortunately, started off with some issues. It seemed like Slayes’ monitor wasn’t working, and she couldn’t hear herself. The opener, “Abyss,” featured Slayes offbeat a few times and seemingly avoiding the highest notes. I was terrified that the long layoff and horrific trauma that women’s bodies go through having a baby was causing her to just not have it that night. My fears were soon demolished, thankfully. Their third song, aptly chosen as “Awakening,” knocked off any remaining rust as the band finally hit their stride. Slayes got stronger as the show went on and unleashed her octave-defying wails over and over again.
The Luca Turilli shirt I was wearing was very pleased by the live rendition of “Faster than Light.” At one point, the band explained that some foul creature and servant of The Matriarch had infiltrated the US Border Officers and nearly didn’t let them into the U.S., but some valiant unnamed hero saved the day. This champion knew that lives didn’t depend on UTA’s entry, but they would be much happier if they did enter. A highlight of the show was when the band played some new material called “Ghosts in the Mist.” Slayes confirmed that the new album would be a new story in a new world. While I loved the Immortal and Matriarch’s battles, it’s good to not dip into one well too much. “Ghosts in the Mist” featured a much lower and heavier riff than classic UTA.
Andrew Kingsley and Grant Truesdell’s fretwork was tight and true (wah wah). Nick Miller ecstatically chugged away on bass. A personal highlight was when they dusted off my Time Stands Still favorite “Dreamcrusher.” UTA also gave fans a special treat by playing their Canadian anthem cover of “Northwest Passage.” The encore, “Carry the Flame,” welcomed Ty and Sabrina Valentine to the stage. Kingsley graciously handed over male, clean vocal duties to Ty.
It was hours past my bedtime. My weak voice was cracking from singing. My neck was sore (along with, like, everything else). The festival was over. The stands were being packed up. I lingered around The Sylvee, hoping to find a magic wardrobe that led to more Power Metal. I stared intensely at arcade cabinets hoping to be sucked into one. I finally headed towards the exit, where RAV handed out copies of his new band Glyph’s demo CD (they will be at MwP VII). It was hard to leave, but I had to, even though no one was rushing anyone. I sat in the car for a bit before returning to the hotel, unsure if I’d ever sleep again (I haven’t. 5 months and counting.)
Final Thoughts
Since the festival, I’ve had moments of melancholy. It’s over, and it’s an experience that can never be recreated for various reasons (first-time experience, a lineup where I knew and loved a chunk of the bands, etc.…). Then I remembered that that’s OK. It lives forever in my heart as a singularly unique experience. Future festivals will create their own experiences as well.
This may sound like I’m being purposely cheesy in my final thoughts of a great cheese festival, but I’m not trying to be. Ty’s dream was to create a festival that helped grow the subgenre while fostering a true community of friendship and kindness. This world is fucking crazy and cruel so often, it seems, but Mad with Power Fest existed outside of that. Even without knowing anyone beforehand, I always felt welcome and safe to be myself, and I’d bet that is as rare for many of you reading this as it is for me.
Everyone there was kind. Everyone experienced joy and spread it along. Even when the ugliness of trauma from the world tried to creep into me and make me judgey in my mind, I was constantly healed and reminded of what is really important: to love and help others. To love something and share the experience with others. The world is constantly trying to divide us, but for two days, The Sylvee held nothing but things to bring us together. There are plenty of other festivals I dream of going to someday (Wacken and 70,000 Tons, to name a couple), but I already know that the greatest festival in the world is Mad with Power Fest because it’s far more than music.
You wouldn’t expect to find something magical like this in Wisconsin, but you also wouldn’t think Madison is one of the most beautiful cities in America. Ty Christian often asked us to fill out surveys after the show because they listened and truly wanted to make the festival as great of an experience as possible. I believe it, and I also know that any nice tweaks and improvements they make will improve things, but the reality is nothing is better than what it already embodies: his heart. The true voice of Power Metal lives there. I am now a fan forever, and I hope to meet some of you there in the coming years. I even promise to try to figure out a way to end conversations in a less awkward way. I still find tears coming to my eyes as I write all of this and think of my time with the Army of the Got Danged. I hold my invisible grapefruit up high to you all.
HAIL!